The comparisons are obvious within the film industry whether or not the concerned movies are remotely attached. So, the comparison between I'm Khan and Three Idiots shouldn't surprise us, more so there's a healthy competition among lead actors of the two films. Generally, Shahrukh Khan is hailed as the king of Indian Film Industry finds acceptance one of the masses while Aamir Khan is touted like a perfectionist and it is cherished by both masses and classes. The scenario has changed recently with Shahrukh's movies garnering huge accolades from critics as well. This has to be a genial compliment for that actor in him because he is mainly popular for his romantic roles.
At the finish of 2009 we had Three Idiots as the biggest discharge of Indian film industry. The film would be a commercial success and was praised by critics as well. The film based on the lifetime of three university students continued to interrupt several records in the Box Office in India and overseas for any Hindi film. The main reason behind the triumph of the movie may be the issues raised and just how well the director articulated them within the film.
Come 2010 and that we have another Khan waiting to even things with another in the Box office. Shahrukh created I'm Khan (MNIK) on the Valentine's week, quite synchronized together with his romantic image. The film was hyped and was sold to the giant Fox searchlight who took the duty to advertise it. The film features Shahrukh Khan in lead role and takes on the global issue of terrorism and it is aftermath on the community. The film also marks the return of hit onscreen set of Shahrukh Khan and Kajol after an area of nine long years. The film is certainly getting good reviews and collections nevertheless its longevity in the box office is suspected by many people trade analysts.
It holds true that both mentioned films are very the alternative of one another however the comparisons are legitimate as the stars concerned are big and fan following is immense. Three Idiots is really a wholesome knowledge about everyone adding to its success while MNIK is more of the one man's mission to prove that he's not really a terrorist despite as being a Muslim. Three Idiots includes a youth appeal and it has high repeat value whereas MNIK will lose its sheen in 2-3 weeks because it doesn't appeal much to the masses and critics too haven't welcomed the film very much. Three Idiots banked on its general reviews that are positive and timely humor. Though, it's doubted that the viewer will watch MNIK again.
The collections of MNIK were followed closely through the media as the film hit having a controversy also it might have doomed in the Box Office. But as the case was, the media took it as being its responsibility to make MNIK a large hit and claimed it surpassed Three Idiots though it lagged far behind. MNIK surely leads in the overseas front because there is aggressive marketing there but collections in single screens in north India began to dip as the first weekend was over.
Today, more and more movies are declared hit before their release. It may sound strange but it is a well known fact that people once had paid previews in past however we now have paid reviews at our disposal. Same people debunked many of the Akshay Kumar, Salman Khan along with other movies previously but didn't perform the same during the time of MNIK. Below may be the actual collection of the two movies in the box office in India on the first weekend:
My Name Is Khan - Three Idiots
Day 1 8 crores - 12. 5 crores
Day 2 9. 5 crores - 11. 5 crores
Day 3 12 crores - 13. 5 crores
Total 29. 5 crores - 37. 5 crores
From the above mentioned figures it's clear who leads in the Indian Box Office. The overseas collections are slightly higher for MNIK in first stages but Three Idiots enjoyed great results for 7-8 weeks the industry remote possibility for MNIK. On the whole, both films are accepted by audience with Three Idiots going for a substantial lead. With that said, it might happen to be much better there wasn't any comparison. At the conclusion of the day every film differs and suits its distinct audience.
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